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Giving Kudos to Brilliant Content

To say Woody Allen’s film history has been somewhat chequered over the past decade or so is something of an understatement.  Cassandra’s Dream and Scoop were far from the usual comedic gems and spiky offerings that marked out the humorous brilliance of Annie Hall, Manhattan, or Hannah and Her Sisters. Does Blue Jasmine definitively mark a return to his best?

Article by Jamie C.